About Z-mount Lenses

A few things are different in the Z-mount than Nikon DSLR and SLR users may be used to, so I outline those here:

  1. There's now a clear designation of lens quality. Nikon uses the term S-line (and the S abbreviation after the lens specification) to signify their top quality lenses in the Z-mount. While Nikon doesn't specifically say what is required for a lens to get such a designation, it's clear that when they said "S stands for superior"—they also said "special" and "sophisticated"—that this is backed up by the evidence so far. In the F-mount, Nikon didn't have a clear designation of the optically better lenses, while Canon did with their lenses (L lenses were the upper lens lineup). That said, all the Z-mount lenses to date have been quite good, it's just that the S-line lenses have been at the top of the heap. Consistently so.
  2. We've moved to stepper motors. Nikon used a variety of motor designs in the DSLR lenses, including wave motors. AF-P lenses in the F-mount were a recent addition, and use stepper motors. As it turns out, they were foreshadowing of what we find in the Z-mount. Why a stepper motor? They are fast and have high position discrimination, a killer combination (AF-S lenses tended to be fast, but sacrificed some positioning discrimination). 
  3. A single focus element group is no longer guaranteed. Another change in focus is that some of the higher end Z Nikkors have two sets of lens elements that move independently for focus. That adds a layer of complexity internally, but it also means incredible focus speed.
  4. Focus is fly-by-wire. There's no longer a mechanical coupling between the focus ring and the internal focus elements (except for the manual focus 58mm f/0.95 NOCT). This makes for a very smooth focus ring, but it also means that manual focus can sometimes be frustrating. Nikon hasn't quite mastered the hysteresis of the ring control yet, in my opinion. Fortunately, this is something that can be tuned in firmware.
  5. Focus is forgotten when the camera powers down. There's no guarantee that if the camera hits its Standby timer or if you turn the Power Switch Off that the lens will be in the same focus position when you return to shooting.
  6. Lenses are quiet, but not silent. Both focus and zoom can trigger very soft sounds as the motors reposition elements, and those sounds can be picked up by on-camera microphones when you're shooting video. 
  7. The focus ring can be reprogrammed. Some lenses have a third ring, which can also be programmed. Unfortunately, right now the choices are limited: Focus (M/A), Aperture, Exposure compensation, or None. I personally like the option of the third ring, though rarely use it. Reprogramming the focus ring takes away what I feel is a useful function (manual override of autofocus; remember, we can one-button magnify our viewfinder to get precise focus positions). 
  8. Focus breathing is low. Change of focus plane doesn't tend to change what's at the frame edges. Note that some of this is by lens design, but some is by lens correction. 
  9. Lens corrections may be locked in. For example, on the Z50 with the kit lens, Auto Distortion Control is not user selectable, it's always on. Plenty of other examples abound. Generally, this seems to be true of lenses with a high degree of linear distortion in the design. But there's another bit, too: with the Adobe ACR and Lightroom, you can't turn off the corrections if they're enabled in the camera. 
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